Showing posts with label XAHC. Show all posts
Showing posts with label XAHC. Show all posts

Friday, 14 February 2014

Vladka - the Vladimirskaya Icon

Two icons of two strong women 14-February-2014.



My final "model" was a blend of three. From left to right:
The "Novgorod", the "Classic" and the "Moscow" Vladimirskaya.











 
This book of Moscow Icons - a gift from my wife for our wedding - had a picture of the "right" Vladimirskaya with the green backgound. The miniatures were less suitable, though.
We went to Moscow in 1991 and the Tretyakov Gallery happened to be  closed for 'remont', so we missed Vladka. We did see other ones though, notably in the Uspensky Sobor.



Some inspiration


1 April 2013 The green paint was the catalyst.



Friday, 24 January 2014

Constructivist samovar tray

I found this Soviet type electric samovar offered on the internet for very little money


Following some Internet sleuthing, it turned out to be a Tula samovar.

 

As I was testing and trying out 
I felt I needed some kind of tray


 And I went for constructivism



As a matter of fact, I already possessed a samovar or two...
One I bought in 1991 on the Arbat in Moscow from a group of lads, a true Soviet type of samovar.
I use this one for summer nights in my garden or barbecue parties.
http://www.tulasamovar.ru/catalog/samovar-flame/372/

Самовар жаровый  советского периода формы банка граненая листьями
Материал полированная латунь.
Объем  5л
Диаметр трубы: 65мм
Производитель Россия  г. Тула завод Штамп
Гарантийный срок 5 лет.
Товар в наличии
14 000 руб.  
14,000.00 RUB = 288.494 EUR (2014)

DM40 (1991)


The one below- no longer in working order - I bought in 2011 on the Queen's day flea market. 


My Dacha @home



Wednesday, 13 February 2013

Korsunskaya-finished

With a Ukrainian Rushnik  or towel


(Last gold lines added tonight)

Saw this East African woman today, as I left the railway station, wearing some kind of traditional Somalian dress, very bright vermillion in the afternoon light. A shining, almost Marian appearance.
My icon was walking there.


Vyaz (Вязь) or lettering reads:
Korsunsk[a]iya B[ogorodi]tsa - Korsun Mother of God



Saturday, 9 February 2013

She starts looking at me


Flesh-tones and highlights added
Still, the skin has turned out somewhat darker, (almost African) than originally "planned".
But then, she's in good company...
Częstochowska

Tuesday, 22 January 2013

Colours-the first numbers


Basic colours applied, except the skin tone [Sankir].
Many more layers of paint will be needed.

I also made a start on [decorative] Shponki.


Wednesday, 9 January 2013

Korsunskaya - painting by numbers























Lining was completed 2 days earlier, and I am happy about it.
Now it is time for planning asic colours:

1 ivory / off white
2 ochre
3 blue
4 maroon
5 Sankir [olive-brown]
[numbers on pieces of sheet]


I flatter myself that I kind of reproduced the facial expression:
(mirrored and trimmed)



















Petrov-Vodkin, Kuzma (1878-1939) - 1914-15
The Mother of God of Tenderness towards Cruel Hearts

http://en.wikipedia.org/wiki/Kuzma_Petrov-Vodkin

Friday, 4 January 2013

Mother of God Korsunskaya















I first saw a picture of the Umilenie or Korsunskaya in the mid eighties. The facial expression and the unconditional love between mother and child made a deep and lasting impression on me. I am trying to recreate that impression.
This is a Bulgarian Umilenie, from Backovo Monastery.

I made the icon board from our old kitchen counter in 2009, and then the process came to a halt. Still, the Korsunskaya never left my thoughts, so I started sketching (for a second time) on New Year's 2012. I intend to work on it every day, and let myself be surprized by the process itself.

The "towel" is called a rushnik [рушник - towel] in Ukranian or a salfetka[napkin] in Russian . This one comes from Kiev.
Excellent information with good photographs on salfetki/ruzhniki can be found on
http://icontraditions.com/display-of-icons-in-a-home

Main page: http://icontraditions.com/

Still from Brothers Karamazov [Mosfilm 1969]




Why bother copying?


He [Birkin] had taken a Chinese 
drawing of geese from the boudoir, and was copying it, with 
much skill and vividness. 

"You are copying the drawing," she [Hermione] said, standing near the 
table, and looking down at his work. "Yes. How beautifully 
you do it! You like it very much, don't you?" 

"It's a marvellous drawing," he said. 

"Is it? I'm so glad you like it, because I've always been 
fond of it. The Chinese Ambassador gave it me." 

"I know/' he said. 

"But why do you copy it?" she asked, casual and sing-song. 
"Why not do something original?" 

"I want to know it," he replied. "One gets more of China, 
copying this picture, than reading all the books." 

DH Lawrence, Women in Love

Friday, 23 November 2012

Nearly finished St. Nicholas Icon

Treated the surface with glair.
The eyes may need some correction.



Sunday, 18 November 2012

Monday, 5 November 2012

XAHC u святой Николай

(Hans and Saint Nicholas)
4 November 2012 Sketches
I managed to make a panel from the wolmanized wood, and this is to become the icon board.
The icon on the postcard is called Saint Nicolas of the Door
He is supposed to be the patron of domestic bliss

XAHC would be the cyrillic transcription of my given name, matching the average Russian pronunciation of it.

Monday, 22 October 2012

Raw material

Very ugly wolmanized wood


Not easy to work with, but not without potential













Wolmanized wood. 
Poisonous green with deathly black and yet 
there is that fleshy pink vein of Life shining through.

Saturday, 5 May 2012

George and the Dragon


Георгий Победоносец
George the Victor
Leningrad, Nevskij Prospekt, March 1990


Чудо Георгия о змие
The miracle of George and the dragon

I visited Leningrad in March 1990, and it was a revelation. It was a bit of a shock however, to notice that everything centered around obtaining hard currency. Quite a different story from what we had learnt in school about communism. This was the USSR undergoing Perestroika.

Anyway, I bought this lacquer brooch from a street vendor for  very little money, 5 or 10 guilders or deutschmarks, I don't even remember.
We also went tot the Russian Museum, where I learnt about the Novgorod school of icon painting, with its characteristic use of red and green - more or less as used on my icon brooch.

Later I came to meet Sister Florentia in the City of Groningen. She was a nun, a retired teacher and had taken up icon painting as a hobby. She told that for her, icon painting had become a way of living a contemplating life. Contemplation was essential for appreciating icons, she said (or words to that matter). When I told her that I was a non-believer she remarked that, nevertheless, there was something very special about this icon and me: this was a token of this unique experience of making such a special trip to an exotic place (that's what it was in those days).
Such true words, such a wise woman.



And now for something completely different:

A drunk man knocks on the door of an inn known as St. George and the Dragon. The landlady answers. "Is George in?" asks the man.

In the early eighties, my neighbour John Nolan from Wigan(Lancs) used to tell this joke.


Thursday, 22 September 2011

The True Icon-Lettering done


Posted by Picasa
Спас Нерукотво́рный 
I added the HOON (omicron, omega, and nu - 'He Who is') lettering today.
Makes a difference, I think.


Saturday, 4 July 2009

Gotov



Did the lettering today and applied a glare finish.
One eye changed colour in the process.


www.gafpa.nl

Friday, 3 July 2009

Svet



Painting -or sculpting- has to be done in lost moments. Sometimes I have only a mere quarter of an hour, sometimes a little longer. This picture was taken after dark last night - while I sat musing on how to continue.


www.gafpa.nl

Saturday, 20 June 2009

Inspiration while at work


I do not need to hold a brush to be at work.


I am hooked on Russian icons and I am an atheist. The two do go together. While I do respect religions and people's religious feelings, mine is the observer's view.
I think dendrochronologic dating, dna research and a scientific approach might bust quite a myth or two, without diminishing the interest or fascination of the subject.


www.gafpa.nl

Thursday, 18 June 2009

Background and lettering


Made the background whiter today, but older paint layers are still visible - like a palimpsest. Lettering on an old sheet, to find out the right position. Did some work on the halo as well... Don't know if I should add lines to the cross' arms (see below).




www.gafpa.nl

Monday, 15 June 2009

Old Church Slavonic



Meanwhile, I started decyphering the callicraphy on the Nerukotvornyi Icon and I got as far as
UBRO[S]' G[OSPO]D[INA] B[O]GA
SP[A]SA NASHEGO I[E?]SA KH[RISTU]SYA
which would mean something like
Image/icon of Jesus Christ, Our Lord God the Saviour
But I am not an expert in Church Slavonic, so I would welcome any comments.

That was yesterday. Found some other texts in a catalog of Early Printed Cyrillic Books today.
...gospoda nashego Isusa Khrista
...rozhdestva Gospoda Boga i spasa nashego Īsusa Khrista
In addition, closer inspection of a detailed scan revealed the reading UBRU[S]
Thus making
UBRU[S] G[OSPO]D[A] B[O]GA
SP[A]SA NASHEGO I[SU]SA KH[RI]STA


UBRUS/OUBROUS seems to denote 'towel' in OCS
according to Wiktionary
Or kerchief - a reference to the Mandylion



www.gafpa.nl

Sunday, 14 June 2009

Dancing Tzitziot



Fringes of the tallit (prayer shawl).



Or are they peyos



www.gafpa.nl

Sunday, 7 June 2009

Trinity Sunday



Still, more than I had ever expected, in just three evenings.
[And I started on a second panel in the meantime]



www.gafpa.nl